(Reckless Idiots Seeking for Absolution)
What can dialogue do against a backdrop that has replaced laughter with cynicism? In a city where fears and addictions seem to be stronger forces than what really unites us? In this absurd universe directed by social media, everyone has become their own hero. Amidst this idiotic idolatry, Jr.cE.sA.r presents the final instalment of its hero plays.
In R.I.S.A. (Reckless Idiots Seeking for Absolution) a carnivalesque parade of actors, writers, and musicians joins the revolution with a smile. The world is at our smiling feet, we collectively laugh in the face of it.
Junior Mthombeni
Junior Mthombeni is a theatre-maker, actor and musician. In recent years he has made a name for himself as the artistic head of the SinCollectief, with whom he created such highly praised productions as Troost (with the NoMoBS hip hop collective), Rumble in da Jungle and Reizen Jihad.
As a creator, he is also part of the collective Jr.cE.sA.r with Fikry El Azzouzi and Cesar Janssens. They were responsible for the successes Malcolm X (“breaking point in Flemish theatre history” – De Standaard) and Drarrie in de Nacht (“cool scattergun”, also according to De Standaard). Together with KVS artistic director Michael De Cock, he directed the Brel-adaptation of L’Homme de La Mancha, based on the book Don Quixote by Miguel de Cervantes. This recent production was also widely praised: “A bomb. Explosive direction. Unexpected, poetic, and with a magnificent finale,” according to RTBF.
His work as a director presents a theatrical interpretation of burning topical issues (e.g. Syria fighters, corner boys, ...), but equally examines the contemporary significance of inspiring people, movements and events from the recent past, like Malcolm X. Working with a multiethnic cast, Mthombeni captures the metropolitan setting in a form of contemporary music theatre that is influenced by urban arts and musical traditions from every continent.
He himself also appeared on stage as a musician, singer and actor from a very early age. He has worked with, among others, Tone Brulin at the KNS and Alida Neslo at De Nieuwe Amsterdam, and for many years appeared with such bands as Afrobeat Association, El Tattoo Del Tigre, the African Jazz Pioneers and the Internationals.
In the spring of 2020, Junior Mthombeni brings a very personal story to the stage with Dear Winnie. As a tribute to his father, a former ANC resistance fighter, and to his confidant, Winnie Mandela, he creates a musical performance about the infectious power of exceptional people.
Fikry El Azzouzi
Fikry El Azzouzi is a writer known for his columns, a.o. in De Morgen and De Standaard, novels and plays. His debut, Het Schapenfeest, was published in 2010 and was highly praised. In 2014 it was followed by the novel Drarrie in de nacht, which has been translated into several languages and was nominated for the Golden Owl. It became a true bestseller in Germany and the Spanish translation was warmly welcomed in Latin America.
El Azzouzi has now written about ten plays and has been widely acclaimed for them. He won the performing arts prize for authors for the play IJdele dagen. For both the play Reizen Jihad and the novel Drarrie in de nacht, he was awarded the Ark Prize for Free Expression in 2015. Together with his company Jr.cE.sA.r he also made Malcolm X, which has been called a piece of theatre history, and the stage version of Drarrie in de nacht, adapted from his novel.
His novel Alleen Zij is the final part of a trilogy whose first two parts are Het Schapenfeest and Drarrie in de nacht. His last novel De Beloning came out in 2019.
In the fall of 2019 Fikry El Azzouzi creates Dear Winnie, with the company Jr.cE.sA.r: a musical performance about the infectious power of exceptional people, following in the footsteps of Winnie Mandela.
Cesar Janssens
Cesar Janssens is an autodidact multiinstrumentalist and composer, and is among the top rank in Belgium.
The first band he performed in, The Kids, gained international renown. He was for a long time Raymond van het Groenewoud’s drummer and as a session musician and live accompanist has played with numerous other artists (Roland, Helmut Lotti, Bart Peeters, Kommil Foo, Ronny Mosuse etc.). He has surprised the theatre world with his very unusual compositions and soundscapes, for productions including Reizen Jihad (SinCollectief) and Hannibal (t,arsenaal Mechelen). He joined forces with Junior Mthombeni and Fikry ElAzzouzi to form the collective Jr.cE.sA.r, with whom he created Malcolm X, Drarrie in de nacht, Dear Winnie, and Who's Tupac?.
The R.I.S.A. playlist
La Violencia — Agarrate Catalina
Colombina — Jaime Roos
El ‘Credo’ — Juan Carlos Aragón
R.I.S.A. - Enrique Kike Noviello en Jesus Bienvemido (Original song)
VC-peut - Cesar Janssens (Original song)
Tango Philip - Cesar Janssens (Original song)
Crazy hup - Cesar Janssens (Original song)
Mooi maar soms ook niet - Cesar Janssens (Original song)
Discover the team
Lexicon
Murga
A Murga is a contemporary street fanfare that works around music, dance, words and costume and is connected to a street, neighbourhood or area. The concept originated in Latin America. "Murga" is at the same time the word for the specific genre of music as for the group performing it. Every Murga is different. A Murga reflects the group's identity and uses the individual talents of the participants. Within a Murga, anything goes. All styles are allowed and literally anyone can participate.
Carnival of Cadiz
Carnival de Cádiz is the biggest carnival in the Iberian Peninsula and one of the most famous carnivals in the world. Characterised by creative costumes, witty puns and sharp criticism of prominent figures and politicians, the Carnival de Cádiz is one of the most famous carnivals in the world.
Bombo con Platillo
A typical Murga instrument. A bass drum with a singing bowl on top.
Pachamama
Pachamama (from the quechua pacha: earth and mama: mother, so literally translated "Mother Earth") is the main deity for the indigenous people of the central Andes of South America. Pachamama is described as "she is the Earth in a deep sense, supernatural; she is that from below, but not the ground or the geological earth, nor the Christian heaven, she is the cosmographic heaven. Pachamama is everything, she explains everything. Pachamama is not an actual creator, but a protective deity; she protects man, she enables life and favours fertility.
Tarot
The Tarot is a deck of seventy-eight cards, played in various parts of Europe from the mid-fifteenth century onwards. Tarot cards are used in much of Europe as a form of card game, i.e. simply as entertainment. In English-speaking countries, this type of game is largely unknown. Tarot cards are mainly used there for divination and other esoteric applications.
Credits
A PERFORMANCE BY Jr.cE.sA.r (Junior Mthombeni, Cesar Janssens, Fikry El Azzouzi) DIRECTION Junior Mthombeni MUSIC Cesar Janssens DRAMATURGY Gerardo Salinas SCENOGRAPHY Stef Stessels CHOREOGRAPHY Junior Mthombeni, Lisi Estaras COSTUME DESIGN Marie Szersnovicz CREATION & PERFORMANCE Tom Van Landuyt, Nina Plantefève-Castryck, Alex Akuete, Junior Akwety, Priscilla Adade, Lisi Estaras, Jesús Bienvenido, Enrique Noviello, Ria Verlinden, Gwen Cresens, Mirko Banovic, Cesar Janssens, Fikry El Azzouzi, Junior Mthombeni, Gerardo Salinas PRODUCTION KVS COPRODUCTION Festival Iberoamericano de Teatro De Cádiz (Fit), Perpodium WITH THE SUPPORT OF The Taxshelter Of The Belgian Federal Government Via Chronos Invest, Centro Cultural Recoleta (Buenos Aires), Secretaría De Cultura De La Ciudad De Montevideo, Embajada de España en Bélgica, Spain Arts & Culture