(Reckless Idiots Seeking for Absolution)

After the international successes of Malcolm X, Dear Winnie, and Who’s Tupac?, Jr.cE.sA.r was left with a bit of a hangover. Changing the world turned out to be more difficult than they thought. What can theatre mean in an overheating world that trembles under a rain of bombs? 


What can dialogue do against a backdrop that has replaced laughter with cynicism? In a city where fears and addictions seem to be stronger forces than what really unites us? In this absurd universe directed by social media, everyone has become their own hero. Amidst this idiotic idolatry, Jr.cE.sA.r presents the final instalment of its hero plays.

In R.I.S.A. (Reckless Idiots Seeking for Absolution) a carnivalesque parade of actors, writers, and musicians joins the revolution with a smile. The world is at our smiling feet, we collectively laugh in the face of it.

Junior Mthombeni

 

Junior Mthombeni is a theatre-maker, actor and musician. In recent years he has made a name for himself as the artistic head of the SinCollectief, with whom he created such highly praised productions as Troost (with the NoMoBS hip hop collective), Rumble in da Jungle and Reizen Jihad.

As a creator, he is also part of the collective Jr.cE.sA.r with Fikry El Azzouzi and Cesar Janssens. They were responsible for the successes Malcolm X (“breaking point in Flemish theatre history” – De Standaard) and Drarrie in de Nacht (“cool scattergun”, also according to De Standaard). Together with KVS artistic director Michael De Cock, he directed the Brel-adaptation of L’Homme de La Mancha, based on the book Don Quixote by Miguel de Cervantes. This recent production was also widely praised: “A bomb. Explosive direction. Unexpected, poetic, and with a magnificent finale,” according to RTBF.

His work as a director presents a theatrical interpretation of burning topical issues (e.g. Syria fighters, corner boys, ...), but equally examines the contemporary significance of inspiring people, movements and events from the recent past, like Malcolm X. Working with a multiethnic cast, Mthombeni captures the metropolitan setting in a form of contemporary music theatre that is influenced by urban arts and musical traditions from every continent.

He himself also appeared on stage as a musician, singer and actor from a very early age. He has worked with, among others, Tone Brulin at the KNS and Alida Neslo at De Nieuwe Amsterdam, and for many years appeared with such bands as Afrobeat Association, El Tattoo Del Tigre, the African Jazz Pioneers and the Internationals.

In the spring of 2020, Junior Mthombeni brings a very personal story to the stage with Dear Winnie. As a tribute to his father, a former ANC resistance fighter, and to his confidant, Winnie Mandela, he creates a musical performance about the infectious power of exceptional people. 

Fikry El Azzouzi

 

Fikry El Azzouzi is a writer known for his columns, a.o. in De Morgen and De Standaard, novels and plays. His debut, Het Schapenfeest, was published in 2010 and was highly praised. In 2014 it was followed by the novel Drarrie in de nacht, which has been translated into several languages and was nominated for the Golden Owl. It became a true bestseller in Germany and the Spanish translation was warmly welcomed in Latin America. 

El Azzouzi has now written about ten plays and has been widely acclaimed for them. He won the performing arts prize for authors for the play IJdele dagen. For both the play Reizen Jihad and the novel Drarrie in de nacht, he was awarded the Ark Prize for Free Expression in 2015. Together with his company Jr.cE.sA.r he also made Malcolm X, which has been called a piece of theatre history, and the stage version of Drarrie in de nacht, adapted from his novel.

His novel Alleen Zij is the final part of a trilogy whose first two parts are Het Schapenfeest and Drarrie in de nacht. His last novel De Beloning came out in 2019.  

In the fall of 2019 Fikry El Azzouzi creates Dear Winnie, with the company Jr.cE.sA.r: a musical performance about the infectious power of exceptional people, following in the footsteps of Winnie Mandela. 

Cesar Janssens

 

Cesar Janssens is an autodidact multiinstrumentalist and composer, and is among the top rank in Belgium.

The first band he performed in, The Kids, gained international renown. He was for a long time Raymond van het Groenewoud’s drummer and as a session musician and live accompanist has played with numerous other artists (Roland, Helmut Lotti, Bart Peeters, Kommil Foo, Ronny Mosuse etc.). He has surprised the theatre world with his very unusual compositions and soundscapes, for productions including Reizen Jihad (SinCollectief) and Hannibal (t,arsenaal Mechelen). He joined forces with Junior Mthombeni and Fikry ElAzzouzi to form the collective Jr.cE.sA.r, with whom he created Malcolm X, Drarrie in de nacht, Dear Winnie, and Who's Tupac?.

The R.I.S.A. playlist 

 

La Violencia — Agarrate Catalina
Colombina — Jaime Roos
El ‘Credo’ — Juan Carlos Aragón
R.I.S.A. - Enrique Kike Noviello en Jesus Bienvemido (Original song)
VC-peut - Cesar Janssens (Original song)
Tango Philip - Cesar Janssens (Original song)
Crazy hup - Cesar Janssens (Original song)
Mooi maar soms ook niet - Cesar Janssens (Original song)

Discover the team
As a 5 year old boy he discovered the magic of an accordion, as it was played by a street musician, next to the Antwerp cathedral. 20 years later Gwen Cresens graduated at the Antwerp Conservatory with a Master degree for classical accordion and chamber music. On his road he worked with Arno, Raymond van het Groenewoud, Kommil Foo, Boudewijn De Groot, Henny Vrienten, Brussels Philharmonic, Antwerp Symphony Orchestra, Les Ballets C de la B, Lod, het Paleis, Brussels Jazz Orchestra, Patrick Riguelle, Pavarotti and Ute Lemper. Giving him the opportunity to perform in a variety of scenes such as Flagey Brussels, Rock Werchter, Festival Dranouter, Cité de la Musique, L’Olympia, Le Zénith Paris, Concertgebouw Brugge, Bozar Brussels, L’Archiduc Brussels, Konzerthaus Wenen, Paradiso Amsterdam, De Roma Antwerp, Francofolies Montréal, The Joyce Theatre New York, Tramway Glasgow, Theaterhaus Zurich, Teatro Alhambra Granada, South Bank Centre London, Bijloke Ghent, Klein Karoo Festval South Africa,, Adelaide Festival, Festival van Vlaanderen Ghent en Brussels, Zeeland Nazomer Festival, Airbagfestival Brugge, de Singel Antwerp. No surprise that his own projects are often quite Eclectic, combining influences of different musical worlds : Solo, Gwen Cresens Quartet, Orquesta Tanguedia.
Lisi Estaras is a choreographer and performer. Her works focus on the connection between physicality and thoughts, emotions and words. She started to dance in Cordoba, Argentina. After combining her studies in social work with professional dance training, she chooses dance. Thanks to a scholarship, she leaves Argentina at the age of 19 to study at the Rubin Academy of Music and Dance in Jerusalem. Quite soon afterwards, she joins the Batsheva Dance Company in Tel Aviv. After five years in Israel, Lisi moves to Europe and starts her career with les ballets C de la B in 1997. She created and danced: Iets op Bach, Wolf, VSPRS, Pitié!, C(H)OEURS and Tauberbach by Alain Platel and Tempus Fugit by Sidi Larbi Cherkaoui. As a choreographer at les ballets C de la B, she made Patchagonia, Bolero, The Gaza Monologues, primero-erscht, Dans Dans… In 2016, Monkey Mind with three dancers with Down syndrome for Platform K, was significant for her later choreographic work as the dance material offered by the dancers with disabilities reinforced her artistic direction, the principle of the ‘Monkey Mind’ referring to “the endless chatter in your head as you jump from one thought to another” The method uses the change of thoughts and its translation into dance. For the research into her ‘Monkey Mind's method, Lisi, is granted several scholarships by the Flemish Authorities. This research concentrates on the themes of kinesthetic, empathy and the mirror neurons. In relation to Art (dance) Brut and will be further explored and developed in the projects to come.
Tom van Landuyt is a Belgian actor and musician. In the 90s and 00s, he appeared in several Belgian TV series and films, such as Zone Stad Windkracht 10 and Team Spirit. He also appeared on many a theatre stage in Belgium and the Netherlands, including at KVS, NTGent and 't Arsenaal. Besides his acting career, Tom has a musical background. He wrote song and theatre lyrics and was a singer with the LSP Band. As a musician and composer, he collaborated on the soundtracks of feature films such as Ad Fundum and Team Spirit, television productions such as Team Spirit (the series) and Junior Eurosong, and musical theatre with the theatre concert Amigos ('t Arsenaal). He also released two records: Pig Party and Man Now and Then. Together with his wife Angela Schijf, Tom Van Landuyt founded theatre collective NAAST DE BUREN in 2013. In 2015, together with Michael De Cock, he wrote the theatre text for Kreutzersonate, if only the longing stops, a co-production by NAAST DE BURUREN and 't Arsenaal.
Nina Plantefève-Castryck (1992) Graduated from the Royal Ballet School of Antwerp. She worked as a professional dancer with various companies in Germany and the Netherlands from 2010 to present, Tanzcompanie Giessen, Landesbuhnen Sachsen, Conny Janssen Danst, Korzo theatre The Hague, Cie M.E.S.S, Zuhause Groningen, Irene kalbusch ,. She participated in the international solo festival Stuttgart in 2019 where she received second place, choreography, audience award and Sidi Larbi Cherkaoui prize with her solo 'All in one'. Alongside this, she expresses her choreographic talent with performances that played at Antwerp Bijou, LAFS festival, De Carrousel, Danse en Ville, Nova, Arenberg, Hetpaleis and many more. 'Essence of life' in collaboration with Alex Akuete, 'Just being human, isn't that enough', 'All in one', ... She and Alex Akuete have also started the creation of 'Circuit', a sound installation for children, in collaboration with Stormrise, MAP, WPzimmer. She is also currently developing a choreographic research into creating performances danced by children between the ages of 8 and 14. Her next premiere with this company will be in November 2024 with 'it is what it is' at corso theatre Berchem.
Louis Junior Akwety hails from Kinshasa and is a rapper, singer-songwriter and producer. At the start of his music career he was part of the hip hop group L.O. Squad. He started his own record label Kifanisu in 2005 and produced, amongst others, the debut album of Rasta-rapper Gandhi, with whom he still regularly shares the stage. In late 2017 Akwety toured the US with DJ Lost Desert and Lee Burridge. Since 2014 Akwety has been active in the theatre scene. He performed in the musical comedy 'Rumble in da Jungle', about Muhammad Ali, and collaborated with director Junior Mthombeni again for KVS productions 'Malcolm X', 'Drarrie in de nacht' and 'Who's Tupac?'.
Scenographer, lighting designer and photographer. Permanent member of theatre collective the Roovers. As a freelancer, he regularly works with Het Toneelhuis, Het Paleis, Olympique Dramatique, Inne Goris, Laika, BRONKS, Carly Wijs, Muziektheater Transparant, KVS, Thomas Bellinck/Robin, Muziektheater LOD, Simon De Vos, Het Arsenaal, Theater Stap, Kabinet K, Kopergietery, BRUT, Jr.cE.sA.r, Lazarus,... With Jr.cE.sA.r, he has collaborated on several performances such as; "Dear Winnie", "Who's Tupac?" and "Vaderlandsloos". He is also a guest lecturer at RITSC.
Beninese, Togolese, Ghanaian and Belgian, Priscilla Adade is the embodiment of multiculturalism. After graduating in law and American studies at Sussex University in England and the United States, Priscilla Adade returned to her first love: the theatre. She first studied at the Cours Florent in Paris (winner of the Lesley Chatterley and Olga Horstig awards). Bilingual, she decided to continue her training in England and joined the prestigious LAMDA in London. At the same time, she began her career in the cinema, starring in films by Charlotte de Turckheim (Mince, alors!), Dany Boon (Supercondriaque) and Alexandra Leclerc (Le Grand Partage), where she shared the screen with Didier Bourdon, Karin Viard and Anémone, among others. In England, she made her debut in the BBC series Casualty, on stage at the Edinburgh Festival and in Brett Bailey's production Exhibit B. In 2015, after thirteen years of wandering abroad, she returned to Belgium, where she appeared in a number of productions: Louise in Botala Mindele by Rémi de Vos, m.e.s. Frédéric Dussenne (nominated for Best Emerging Actress Prix de la Critique 2018) Else in Yvan & Else by and directed by Laurent Plumhans and La putain in Yvan & Else by and directed by Laurent Plumhans. Laurent Plumhans and La putain respectueuse/ La putain irrespectueuse m.e.s. Philippe Sireuil. In September 2019, she is creating the "Toni Morisson & friends" project in partnership with Les Midis de la Poésie and the Théâtre National Wallonie Bruxelles. A tribute in text and classical music to Toni Morisson and her contemporaries. In 2020-21, despite the pandemic, she is playing in "Les Enivrés" by Ivan Viripaev, directed by Sarah Siré. Sarah Siré available on Auvio, in the short film "Binge Loving" by Thomas Deknop, which won the Ensors for Best Short Film 2022. She also appeared in the film "Ramstein" directed by Kai Wessel, the series "Mauvaise Pioche" alongside François Damiens and the short films "Hématome" by Babetida Sadjo and "Le retour des femmes colibris" by Patricia Kaersenhout. In March 2022, she made her first film, "Healing is Resisting", for the National Theatre during the visit of Angela Davis. And at the end of 202, she will be shooting "Fire will become ashes, but not now", directed by Pitcho Womba at the Kitchener Theatre. Pitcho Womba at the KVS in Antwerp and Ghent. Drawing on her rich and varied professional experience, and at ease in a variety of fields, she founded her social enterprise PRYSM, which aims to put women and Afro-descendants in the spotlight through various projects and media. Her projects include "Voices of Panzi", which provides podcasting training for survivors of war rape operated on by Nobel Peace Prize winner Dr Denis Mukwege, and the "ACTRICES AFRO-DESCENDANTES" campaign, which aims to raise awareness of the discrimination and invisibility of Afro-descendant actresses in Belgium. The documentary "actrices afro-descendantes" is available online.
Gerardo Salinas was born in Buenos Aires, Argentina, where he studied literature at the University of Buenos Aires. He later worked as an editor and editor in chief on various projects and publications. He was an active participant in the battle and lawsuits against the last Argentine dictatorship and published – 1 (2010, poems and essays) and El Cañón de Vladivostok (2012, novel) for Editorial Clase Turista. He has been active on the Belgian artistic scene since 2002 and studied socio-cultural work at KHL. He collaborated on CORDOBA, an initiative by the Flemish Community to employ people from diverse cultural backgrounds at the organisational level in cultural organisations, and specialised in cooperative working methods and processes of change within organisations. He created initiatives like Dialectica (a course for institutes and social organisations), Murga Trajectory (a network of neighbourhood-based street companies), MAF (Mestizo Arts Festival), WIPCOOP (Work In Progress COOPeration) and PRÓXIMAMENTE (cooperative platform for artists and organisations from Latin America and its diaspora). Through concepts like Nieuwe stedelijkheid [New Urbanism] (2007), Sociale Technologieën [Social Technologies] (2007) and Stadsdramaturgie [City Dramaturgy] (2011), he created his own instruments for defining and developing his practice. As a dramaturge, he was involved in amongst others Dear Winnie, L’Homme de La Mancha, Who’s Tupac?, Drarrie In De Nacht, and Vaderlandloos. He has also developed installations, exhibitions and performances around immaterial heritage including Altaar van Antwerpen (MAS, 2012-today), MURAL (2015), PLAYLIST (2020), MAPping (Mechelen, Antwerp and Brussels) and Colección (2021). He previously worked for cultural centre de Warande, film festival Open Doek, Arenbergschouwburg and Mestizo Arts Festival. He is currently part of the artistic staff at KVS in the capacity of city dramaturge.
Jesús Bienvenido (Cádiz/Spain, 1976), is an artist who has been dedicating himself to music for more than 30 years. He has a long career as a composer and artists such as Pasión Vega, Antonio Banderas, Raúl Paz, India Martínez, Manuel Carrasco, among others, have sung his songs. He has also participated as a chorus singer and music arranger in different productions. He has dedicated many years to singing and composing for the Cádiz carnival, being one of the most recognized authors. And worked as a singer and actor in the Zarzuela musical genre with the University of Cádiz under the direction of Juan Manuel Pérez Madueño. He has been a composer, producer and director of shows such as "El callejón de los santos" and in 2017, and recorded a solo album (Sean Bienvenidos) under the musical production of Jesús Lavilla. Jesus Bienvenido currently has several shows he works with: Canción en adobo (singer-songwriter music), Tango A3 (Argentine tango), 4 suites de Momo (rock/funky), El balsero (musical theater, with more than 100 performances) and El Rámper (musical theater that premiered at the Cádiz International Theater Festival).
Enrique 'Kike' Noviello is an Argentine musician who emigrated to Amsterdam in 2002, where he became a busker. Noviello plays saxophone and also learned to play bandoneon during his stay in Europe. In 2013, Noviello released the album Argentina with Rocco Granata, featuring traditional Argentine street music. In Amsterdam, he met the band Ambrass and started playing with them. After this, he moved to their home base Belgium, where he also started playing with Antwerp's Gipsy-Ska Orkestra and Donkey Diesel. Finally, in Antwerp to form the band El Juntacadáveres, which performs a modern version of Argentine tango mixed with hip-hop, electro, jazz and Latin. In theatre, he collaborated on 'Tango' (2006 Spirit and 0090/Arenberg), 'Urbanization' (2013/2015 Arenberg), 'Amigos' (2014 'tArsenaal), 'Hannibal' (2013, 't Arsenaal and Zomer van Antwerpen ), 'Rumble in da Jungle', Malcolm X (KVS), Dear Winnie' (KVS) and KVS's 'Homme de la Mancha' (directed by Junior Mthombeni). In 2021-22, he created the music for the Syrian activist performance 'AMAL' in Antwerp and composed music for the city choir singing along in Opera Ballet Vlaanderen's 'De Bekeerlinge' (directed by Hans Op De Beeck, composed by Wim Henderickx).
Alex Akuete is a dancer, painter, fashion designer. From 2014 to 2016, he volleys in hip-hop and house dance at Let's go Urban and participates in competitions and dance battles such as So you think you can dance. He develops his own style and participates as a dancer in The Common People, a project by Jan Martens and Lucas Dhont (premiere September 2016, DESINGEL) In 2017, he founds the artistic collective Xray Company to give young people opportunities for self-expression. In 2017, he launches XRAY ART STUDIO, a platform to paint artistic stories on existing/recycled textiles. Unique pieces, based on stories of the artist or client. These creations are incorporated into exhibitions/performances at events in Antwerp (Fameus, Fomu, Kavka) and abroad (Kunstverein Wagenhalle Stuttgart). In 2017 and 2018, he collaborates with choreographers Fanny Heuten, documentary filmmaker Leonie Deriemaeker and dancer Evelyne Van Hecke of Moving Ground and participates in museum night at Fomu. In 2019, he will show his first performance as Work In Progress in Arenberg as part of WIPCOOP by Mestizo Arts Platform (MAP). Working further in collaboration with MAP, he will show Connect with your demons again in October 2020 at Rataplan, but now in combination with the solo Paradox, which he commissioned (Sept '20) by KVS. As part of Antwerp Bijou/ Fameus, he creates Essence with Nina Planteféve-Castryck of which they showed a Work In Progress at Love at first sight in HETPALEIS (Sept '21). He is 1 of the 5 actors in Who's Tupac? by Jr.cE.sA.r / NNT & KVS.
Mirko Banovic is best known as Arno's bass left-hand man and as the driving force of that other great Belgian pop/rock band: Arsenal. However, his adventurous and original musical trajectory is not limited to these two big names. He plays live and on the recordings of numerous artists such as Stef Kamil Carlens/Zita Swoon, Pieter-Jan De Smet/PJDS, Roland, Garland Jeffreys, Lou Reed, Patricia Kaas, Flat Earth Society/Boggamasta, Kaat De Windt/PRINCESS4PRESIDENT, Rapidman, Alderson, Amaea and Sugarbunny, among others. He sets up new experimental duos: HUM (with Berlinde Deman), S T I L L L (with Pieterjan Vervondel) and MONOKRI (with Noémie Schellens). Banovic also collaborates across disciplines: he creates music for the theatre performances Tambours Battants (Zuidpool), Soeur Sourire (Marijke Pinoy / Cie Cecilia), Rising Soul (Isnelle Da Silveira) and Surfer Rosa Begijntje (Adriaan Van Aken / HETNIEUWSTEDELIJK) and creates and performs the multidisciplinary in situ performance When I look at a Strawberry, I think of a Tongue. In 2024, he creates and performs R.I.S.A. by Jr.cE.sA.r / KVS and creates the music for choreographer Léa Vinette's dance performance Nos Feux.

Lexicon

Murga
A Murga is a contemporary street fanfare that works around music, dance, words and costume and is connected to a street, neighbourhood or area. The concept originated in Latin America. "Murga" is at the same time the word for the specific genre of music as for the group performing it. Every Murga is different. A Murga reflects the group's identity and uses the individual talents of the participants. Within a Murga, anything goes. All styles are allowed and literally anyone can participate.

Carnival of Cadiz
Carnival de Cádiz is the biggest carnival in the Iberian Peninsula and one of the most famous carnivals in the world. Characterised by creative costumes, witty puns and sharp criticism of prominent figures and politicians, the Carnival de Cádiz is one of the most famous carnivals in the world.

Bombo con Platillo
A typical Murga instrument. A bass drum with a singing bowl on top.

Pachamama
Pachamama (from the quechua pacha: earth and mama: mother, so literally translated "Mother Earth") is the main deity for the indigenous people of the central Andes of South America. Pachamama is described as "she is the Earth in a deep sense, supernatural; she is that from below, but not the ground or the geological earth, nor the Christian heaven, she is the cosmographic heaven. Pachamama is everything, she explains everything. Pachamama is not an actual creator, but a protective deity; she protects man, she enables life and favours fertility.

Tarot
The Tarot is a deck of seventy-eight cards, played in various parts of Europe from the mid-fifteenth century onwards. Tarot cards are used in much of Europe as a form of card game, i.e. simply as entertainment. In English-speaking countries, this type of game is largely unknown. Tarot cards are mainly used there for divination and other esoteric applications.

Credits

A PERFORMANCE BY Jr.cE.sA.r (Junior Mthombeni, Cesar Janssens, Fikry El Azzouzi) DIRECTION Junior Mthombeni MUSIC Cesar Janssens DRAMATURGY Gerardo Salinas SCENOGRAPHY Stef Stessels CHOREOGRAPHY Junior Mthombeni, Lisi Estaras COSTUME DESIGN Marie Szersnovicz CREATION & PERFORMANCE Tom Van Landuyt, Nina Plantefève-Castryck, Alex Akuete, Junior Akwety, Priscilla Adade, Lisi Estaras, Jesús Bienvenido, Enrique Noviello, Ria Verlinden, Gwen Cresens, Mirko Banovic, Cesar Janssens, Fikry El Azzouzi, Junior Mthombeni, Gerardo Salinas PRODUCTION KVS COPRODUCTION Festival Iberoamericano de Teatro De Cádiz (Fit), Perpodium WITH THE SUPPORT OF The Taxshelter Of The Belgian Federal Government Via Chronos Invest, Centro Cultural Recoleta (Buenos Aires), Secretaría De Cultura De La Ciudad De Montevideo, Embajada de España en Bélgica, Spain Arts & Culture