MEMORIA, VERDAD Y JUSTICIA
Ater the bloody dictatorship in Argentina, the local human rights movement strove for a policy of Memory, Truth and Justice: building a memorial, seeking for the truth, and demanding justice. The result was the first case ever where a civil court of justice tried the dictatorship of its own country. Is it possible to apply these experiences to other contexts? Which systematic repetitions enable genocides? Can we make connections between these phenomena? Which role can arts practice play in building up this discourse?