RUSTOORD

The hallway is long, with a lingering smell of mashed potatoes and disinfectant, the sound of a multitude of televisions chattering. The residents’ slow movements stand in sharp contrast to the staff’s rushed gestures. Is this the playground for our second youth, the landscape of everyone’s future?

Old age does not come by itself. It comes with remembering and forgetting. With pride and fear. With peers and loneliness. Today, it also comes with waiting lists, indexes, shareholders, staff shortages, and plenty of medication. And it comes in due time: anyone who celebrates enough birthdays will be unable to escape it. 

Rustoord is documentary theatre about contemporary elderly care. Through interviews with the elderly, carers, gerontologists, politicians, and investors, the creators investigate the ‘why’ behind care homes’ long hallways, the bittersweet aftertaste of centrally organised care politics in a neoliberal framework, and the tension between care, freedom, and discipline. Four actors from different generations embody this montage of perspectives. Rustoord may not offer an answer, but it provides a glimpse into the complex question that is elderly care today.

This performance is most of all a coming of age, an imagination exercise about what it could mean to grow old if we weren’t so afraid of it. 

On stage Mats Vandroogenbroeck and Barbara 'T'Jonck are alongside Mieke Verdin and Mark Verstraete, two seasoned professionals from a different generation. Mieke and Mark are far from strangers to KVS. In fact, Mieke was part of the artistic team for ten years, and Mark Verstraete appeared in Gregoria (2011) and Odysseus. A Wanderer Returns Home. (2017).